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Experiencing Black Culture through Art

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This week’s reading explores an installation created by David Hammons. His work is known to examine the social conditions of black lives. The installation is named Concerto in Black and Blue . The name itself gives away what the installation might be like for a viewer. It suggests music, violence, and race. When a viewer/participant goes through the installation art piece, it is described as pitch-black only illuminated by blue lights that are held by viewers. The blue lights were given to viewers at the entrance of the gallery.   Although the installation occupied three large spaces in an NYC gallery, viewers had to navigate an impossible space. The difficulty that viewers had navigating the space in the gallery represented an “inscrutable social space”. From my understanding, Hammons wanted to allow his viewers to be fully encompassed in his piece and get a glimpse of the social climate of black lives.   I actually walked through a pitch-black room a few days ago, wantin...

Photography - Forgetting and Remembering

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       Carol and Susan - Friends Eye to Eye: Portraits of Lesbians by JEB - 1978      Jan Zita Grover, ‘Framing the Questions: Positive Imaging and Scarcity in Lesbian Photographs’ (1991) is an article that focuses on the portrayal in photographs and questions whether what is being represented is reality or the maker’s perception. Grover begins with an experience that she had with a friend that she helped put an exhibition together. The exhibition was in support of the local government and highlighted Nicaraguan people in their communities. Grover tells how her friend rejected photographs made by Nicaraguans and Cubans in favor of photographs made by North Americans and Europeans. Mainly because the photos by the Nicaraguan and Cubans showed laughing children and smiling peasants and the friend did not want to show something so sentimental. Grover explains that by denying the photos of the Nicaraguans and Cubans, her friend was denying their aspiration...

Language Epistemology Identity

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  Indigenous Methodology is an essay by Margaret Kovach. Kovach evaluates tribal epistemology and compares the indigenous methods of obtaining knowledge to traditional western methods. Kovach centers her research around the Plains Cree tribe located in the northernmost area of the North American plains (North Canada).   Unlike western academic research methods, indigenous knowledge cannot be standardized because it is highly dependent on the relationship to person and place. Indigenous methods of obtaining knowledge share characteristics and qualities and are in the constructs of a paradigm. Some of these qualities and characteristics include ceremonial practices, dreams, rituals, and prayers, which are very holistic and metaphysical. These methods and concepts of indigenous’ knowledge are foreign to western practices of research. The idea of metaphysical, extraordinary, and energy-based knowledge and calling it the fact is hard to swallow for me as well. I thought about ...

Week 10 - Meaning, Identity, Embodiment

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This week’s reading is an analysis of French art philosopher, Maurice Merleau-Ponty’s use of phenomenology in art history by Amelia Jones. The essay begins with a painting that portrays a woman’s genitals as the primary subject matter. The painting was created by Gustave Courbet in 1866 and entitled The Origin of the World . It shocked the world because it only shows the woman’s thighs, torso, part of a breast, and hairy genital. It is different than any other high art female nude painting created during that period and even now. The title gives away what the artist was thinking when he created the painting. However, the painting was commissioned by Turkish diplomat Kahil Bey. The painting stirred up a slew of questions among art critics. Such as, how does an interpreter engage with visual images? What kind of bodies does a viewer experience when hovering over the subject? Who produced the visual image and what does the visual image mean?   Amelia Jones asserts that the subject...

Different but the Same

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       This week’s reading is written by a Vietnamese-American video artist named Trinh T. Minh-ha. She writes about feminism, racism within feminism, European colonialism in South Africa, and the cycle of oppression.       Minh-ha, being born in America and feeling American on the inside but looking oriental on the outside, seemed to have experience attention based on her differences. I think that many Americans feel this way. Many of us are different but are not always treated like Americans because we look or act differently than what the general population expects. This is why what Minh-ha writes about in this essay is incredibly relatable to me. I like Minh-ha’s statement: “difference is awkwardness or incompleteness.” This spoke to me on so many different levels. When one is different, you feel awkward, as if you do not belong. Even though you absolutely are not different on the inside. You were born here and in fact, your ancestors came to ...

Week 8 - The Death of the Author

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  The Death of the Author written by Roland Barthes is an essay that asserts when one reads a piece of writing that the reader enters into birth and the author dies. Historically, people have had to find out everything about an author or an artist to attempt to understand the work that they produced. This is why there are so many biographical books on artists, such as Van Gogh, Tchaikovsky, and Baudelaire. According to Barthes, there is great importance put on the author’s life, his taste, and his passions.   Because of the nature of capitalism, it attaches importance to the author. Otherwise, how would one sell its work and capitalize on it?  When reading this essay, the author that came to my mind is the famous French author, Alexandre Dumas. He wrote books like The Three Musketeers , The Count of Monte Cristo , and The Man in the Iron Mask . Dumas had much success in his writing career. Dumas became accustomed to a lavish lifestyle from the royalties of the books ...

Week 7 - The Oppositional Gaze

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This week’s reading gave me a different perspective on how black females are represented on film and what they feel when they are watching a film in a world that is dominated by white males. The essay is written by Bell Hooks, she begins talking about the terror she felt when she was a child and told not to stare. Historically, white slave owners punished black people for looking. They were denied their rights to gaze and to look. Hooks goes on to talk about the conflict she felt inside when her mother told her to look at her when she is talking to her and how she was afraid to look. There is much power in looking. I can attest to that statement. When I was a child growing up in a small rural town in Georgia, I remember other children getting really mad at me for staring at them. The town I grew up in was predominately black so it would always be another black classmate I was looking at. But I was not looking at them because of race. I did not care about skin color. I looked becau...