Week 10 - Meaning, Identity, Embodiment
This week’s reading is an analysis of French art philosopher, Maurice Merleau-Ponty’s use of phenomenology in art history by Amelia Jones. The essay begins with a painting that portrays a woman’s genitals as the primary subject matter. The painting was created by Gustave Courbet in 1866 and entitled The Origin of the World . It shocked the world because it only shows the woman’s thighs, torso, part of a breast, and hairy genital. It is different than any other high art female nude painting created during that period and even now. The title gives away what the artist was thinking when he created the painting. However, the painting was commissioned by Turkish diplomat Kahil Bey. The painting stirred up a slew of questions among art critics. Such as, how does an interpreter engage with visual images? What kind of bodies does a viewer experience when hovering over the subject? Who produced the visual image and what does the visual image mean? Amelia Jones asserts that the subject...